Sometimes, to shatter the glass ceiling, you need a weapon.
Rachel Parikh has plenty at her fingertips – and she wants to use them to break more than a few glass ceilings. As the Calderwood Curatorial Fellow in South Asian Art at Harvard Art Museums, she focuses her work on manuscripts, arms, and armor – yes, weapons.
She admits that even she had her own misconceptions about studying weapons.
“You often associate arms and armor with war, violence, and masculinity,” Parikh says. “I made my own PhD dissertation all about breaking misconceptions about Islamic art and South Asian art, so it was funny that I fell into this misconception about arms and armor.”
Parikh’s dissertation at the University of Cambridge focused on a seventeenth century Deccan Indian copy of a sixteenth century Persian manuscript called the Falnama (‘Book of Omens’). After completing her Ph.D. Parikh was a Postdoctoral Fellow at New York’s Metropolitan Museum of Art, where she researched and cataloged objects for the museum’s Department of Arms and Armor.