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Tag: art


SAI visiting artists’ reflections on time at Harvard


In March 2017, we welcomed our Spring semester Visiting Artists: Madhu Das (Mumbai, India) and Rabindra Shrestha (Kathmandu, Nepal). Both work in visual media; they displayed their work on campus, met with students, attended classes and gave public seminars from March 20-31. Applications are open until Monday, August 15, 2017 for the Fall program.

Madhu and Rabindra offered these reflections on their time at Harvard:

Madhu

I was able to Interact with people from different parts of the world and see how they responded to my work. This will help me to look at my work from a different perspective. I can now get a sense of India as an outsider as well as an insider. I haven’t been outside my home country and the unfamiliar landscape, weather and culture opened my mind.

Rabindra

I can’t fully express the power of the days I have spent here. People back home will be curious to see what I will do with this new exposure; it has given me fresh energy. Artists must come here with an empty mind; it’s almost like a holy place, where you have to absorb as much as you can.

 

0316 ARTISTS

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Arms, armor, and weapons


rrBy Meghan Smith, Communications and Outreach Coordinator, SAI

Sometimes, to shatter the glass ceiling, you need a weapon.

Rachel Parikh has plenty at her fingertips – and she wants to use them to break more than a few glass ceilings. As the Calderwood Curatorial Fellow in South Asian Art at Harvard Art Museums, she focuses her work on manuscripts, arms, and armor – yes, weapons.

She admits that even she had her own misconceptions about studying weapons.

“You often associate arms and armor with war, violence, and masculinity,” Parikh says. “I made my own PhD dissertation all about breaking misconceptions about Islamic art and South Asian art, so it was funny that I fell into this misconception about arms and armor.”

Parikh’s dissertation at the University of Cambridge focused on a seventeenth century Deccan Indian copy of a sixteenth century Persian manuscript called the Falnama (‘Book of Omens’). After completing her Ph.D. Parikh was a Postdoctoral Fellow at New York’s Metropolitan Museum of Art, where she researched and cataloged objects for the museum’s Department of Arms and Armor.

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Research Assistant needed: South and Southeast Asian Art


Professor Jinah Kim (History of Art & Architecture) is looking for a Research Assistant to help her with various research projects, which includes an exhibition on Nepalese Buddhist art, a visual database project, a bibliographic project on the history of Indian painting, and a symposium on South and Southeast Asian Art.  Familiarity with one or more Indic languages (especially Sanskrit) is desirable but not required.

An ideal candidate would have strong organizational and management skills. Web design/ site management experience would be a plus. Hours are flexible, but the job will demand at least 4-5 hours per week with an option of being a 20hours/week position. Salary range: between $14.50-18.50/hr. Job Duration: Spring 2017. Open to both graduate and undergraduate.

If interested, please email Jinah Kim, jinahkim@fas.harvard.edu.

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Faculty Voices: Where India and China Meet


1Where India and China Meet: Buddhist Art Exhibition in Palace Museum, Beijing  

By Jinah Kim, Gardner Cowles Associate Professor of History of Art and Architecture, Harvard University

Kim received a SAI Faculty Grant for her research on Indian painting.

A first major loan exhibition of Indian art in Beijing, China is currently held in the majestic Meridian gate tower of the Palace Museum (September 28, 2016- January 3 2017) of the Forbidden City (see a virtual tour of the exhibition here.) “Across the Silk Road: Gupta Sculptures and their Chinese Counterparts during 400 to 700CE” is an ambitious exhibition conceived by the senior curatorial fellow of the Palace Museum, Dr. Lou Wenhua, after his visit to India over 3 years ago. Fifty-six sculptures from nine Indian Museums are on display against a red backdrop in one gallery, while two adjacent galleries are filled with over one hundred Chinese Buddhist sculptures against blue backdrop. Bringing this exhibition together is an impressive feat by the organizers in Beijing, which, of course, was not possible without collaborative efforts from many museum personnel and officers in India.

When the China-India bilateral relationship is not as rosy and warm as anticipated (i.e. India’s failed entry into the NSG at the Seoul plenary, CPEC [China Pakistan Economic Corridor] developments—part of President Xie Jinping’s Silk Road Economic Belt and the 21st Maritime Silk Road projects), the exhibition reminds us of the age old connections between the two countries, notably activated and solidified through the transmission of Buddhism. It also opens up new possibilities of trans-regional connections for the future that may benefit tremendously from mutual understanding of each other’s culture and history.

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A peek at Harvard Art Museums’ South Asia collection


This week, Rachel Parikh (@rachel.parikh), the Calderwood Curatorial Fellow of South Asian Art at Harvard Art Museums took over SAI’s Instagram account (@HarvardSAI) to highlight some of the museum’s amazing South Asian Art collection. Rachel specializes in South Asian manuscript painting and arms and armor from the sixteenth through nineteenth century.

Learn more about SAI’s Arts Program.

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Student Voices: Buddhist art in Odisha


sonali2This is part of a series in which we share reports from Harvard students who have traveled to South Asia with support from a SAI grant.

By Sonali Dhingra, PhD candidate, History of Art and Architecture, Harvard

My dissertation on “Buddhist art in Odisha between the seventh and eleventh century” is based on sculptural and architectural remains from the south-eastern Indian coastal state of Odisha. A generous grant from the South Asia Institute at Harvard enabled me to learn Odia, the primary language spoken in region. I spent the summer in the green and beautiful city of Bhubaneshwar, also known as the “city of temples”.

Classes were arranged through the American Institute of Indian studies, as Odia is not taught at Harvard and is seldom learned by graduate students working on South Asia. In fact, I was the only student in the program which was consequently well-tailored to my needs. The language program segued seamlessly into my field-work year and after a successful completion of the program, I visited several living temples, small villages and archaeological sites in rural Odisha, where knowing Odia is a definite asset. Medieval Odiya literature is indispensable for tracing the lives of the images and architectural spaces that I am studying for my dissertation project.

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In their own words: Why I support the arts


IMG_9103 - CopyRepresenting Bangladesh, India, and Pakistan, the members of the SAI Arts Council provide financial support and advisement for SAI’s Arts Program. The program connects South Asia’s artists with Harvard faculty and students to support research that advances the understanding of cultural, political, social, and economic issues of the world through art.

SAI recently welcomed Omar Saeed, based in Lahore, to the council. Mr. Saeed came to SAI as an in-kind supporter 5 years ago. He has been the Chief Executive Officer of Service Industries Ltd. since July 31, 2011. Mr. Saeed served as Chief Operating Officer of Premier BPO Inc. He ran Service Sales Corporation as Chief Operating Officer from 2002 to 2010. He founded Ovex Technologies (Private) Limited in 2003 and served as its Chief Executive Officer. Mr. Saeed has served as President of Harvard Business School Club of Pakistan and is an adjunct faculty member at LUMS. He is a graduate of Brown University and did his Masters in Business Administration from Harvard Business School.

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Update from Visiting Artists, 2015-16


During the 2015-2016 academic year, SAI hosted 4 artists from South Asia for a week each, where they visited course, interacted with students, displayed their work, and gave a public seminar. Below are updates from what they have been involved in since their time at Harvard.

Apply for the upcoming year’s program (Deadline Aug. 15, 2016).

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Update from the Harvard Alumni Group in Nepal


Rai, second from right, with members of the Group

Rai, second from right, with members of the Group

The Harvard Alumni Group of Nepal hosted its monthly meeting on May 10, 2016 in Kathmandu, which featured a talk by Milan Rai, a young artist from Nepal who participated in the South Asia Institute’s Visiting Artist Program in 2016. He discussed his “White Butterfly” project.

Rai is an accomplished artist, who found his gift for painting and sketching following a painful stint with drugs and gang fighting when he was young. He dropped out of school, but kept moving forward. He began to seek out professional opportunities to improve his skills. He worked on figurative and landscape painting, and then abstract paintings utilizing a myriad of disciplines and media. His first solo exhibition was in 2007 at Park Gallery. He then moved beyond the gallery system and became a self-representing artist.

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April 13: White Butterfly


SAI will be hosting Nepalese artist Milan Rai at Harvard from April 11-15, 2016. His public art exhibit of white butterflies will be spread across campus during the week. He will also visit courses, meet with students and faculty, and give a public talk on April 13.

Made possible by the Dean of the Division of Social Science’s Donald T. Regan Lecture Fund and the Arts Advisory Council, SAI’s Visiting Artist Program brings emerging artists from South Asia to Harvard’s campus, to engage with Harvard students, faculty, and community members. The program allows the Harvard community to engage with artists of diverse backgrounds, whose work of various mediums address social, economic, and political issues in South Asia.

 

0413 White Butterfuly 2Artist Talk: White Butterfly

Wednesday, April 13, 4:00pm – 05:30pm, CGIS Knafel, K050, 1737 Cambridge Street, Cambridge, MA

Art Seminar

Milan Rai, Visiting Artist, South Asia Institute Art Program

Chair: Jinah Kim, Assistant Professor of History of Art and Architecture, Harvard University

Rai’s White Butterfly project was a personal art installation that has grown with a global outreach for different community causes and concerns. It is a demonstration of how the role of art can take different turns when shared across social media, connecting people and communities to effect social change and awareness. From Scotland to Greece to New York to Africa over the past two years, many connections around the world have been established.

Those connections became an unexpected source of support and real change in rapid response to the earthquake disasters in Nepal this year, initiating funding projects for immediate relief to provide sanitation facilities, toilets rebuilding a school and relocating an entire village. In this talk, Rai will introduce The White Butterfly project to the faculty and students at Harvard in the form of a retrospective photographic exhibition, including an interactive presentation.

Learn more about his work.

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