Click to Subscribe & Stay Informed via Email!

Subscribe Here!

Subscribe and stay informed about our latest news and events!
  • Please List your Professional Affiliation
  • This field is for validation purposes and should be left unchanged.

News Category: Arts at SAI


Accepting Applications for SAI’s Visiting Artist Program


Harvard SAI is now accepting applications for our 2017-2018 Visiting Artist Program. Candidates must be emerging and mid-career artists in South Asia, whose practice responds to the social and political developments of the region, and have had limited opportunities to exhibit or work abroad. Apply by Monday, July 31st for Fall and Spring residencies.

Share Share on FacebookShare on Google+Tweet about this on TwitterShare on LinkedIn

American Council for Southern Asian Art Symposium XVIII


ACSAA Symposium web banner

October 12 – October 15, 2017

Harvard South Asia Institute is proud to co-sponsor the biennial American Council for Southern Asian Art Symposium. ACSAA symposia serve as opportunities to meet colleagues, reconnect with mentors and graduate school cohorts, and share one’s current research with the field. From senior scholars to graduate students, ACSAA symposia are one of the primary ways ACSAA members gather and support one another, share ideas with a group of like-minded colleagues, and participate in the ACSAA community. We are looking forward to welcoming you all in Boston/Cambridge, MA!

ACSAA 2017 Organizers

Jinah Kim, Gardner Cowles Associate Professor of History of Art & Architecture
Laura Weinstein, Ananda K. Coomaraswamy curator of South Asian and Islamic Art, Museum of Fine Arts, Boston

About the ACSAA

The American Council for Southern Asian Art (ACSAA) is a non-profit organization dedicated to advancing the study and awareness of the art of South and Southeast Asia and the Himalayan regions. In addition to periodic symposia, usually held every two years, ACSAA pursues these goals through various projects, including its annual bulletin, bibliographies, a color slide project, a microfiche archive and outreach materials. Since its incorporation in 1967, ACSAA has grown from its original fifteen members to an organization of some three hundred individuals and institutions. ACSAA is formally affiliated with the College Art Association (CAA) and the Association of Asian Studies (AAS).

 

For more information about this conference, please visit our website: http://southasiainstitute.harvard.edu/acsaa2017/

Share Share on FacebookShare on Google+Tweet about this on TwitterShare on LinkedIn

2017 SAI Symposium: Arts Panel [VIDEO]


Our fantastic arts panel at the 2017 Symposium featured:

Shahzia Sikander: A Pakistani-born visual artist – trained in Pakistan and New England – who challenges the strict formal tropes of miniature painting as well as its medium-based restrictions by experimenting with scale and media. She received a MacArthur “Genius” Grant in 2006.

Shanay Javeri: Assistant Curator of South Asian Art at New York’s Metropolitan Museum of Art. He is a graduate of Brown University, where he studied art semiotics and history of art. He completed his doctorate at the Royal College of Art in London, specializing in South Asian art.

Homi Bhabha: Anne F. Rothenberg Professor of English and American Literature and Language, and the Director of the Mahindra Humanities Center at Harvard University.

Share Share on FacebookShare on Google+Tweet about this on TwitterShare on LinkedIn

“The Social Texture of an Artist” – reflections on the 2017 SAI Mahindra Lecture


By Rajna Swaminathan, PhD candidate, Department of Music, Harvard University

In his Mahindra Lecture earlier this month, vocalist T.M. Krishna presented his philosophy on the possibilities for art to break through social habits and boundaries. Drawing on his experience as a person from a privileged background and rising to fame in the Carnatic music scene, Krishna illustrated the ways in which music led him from the personal to the public and political, advocating a spirit of questioning that is uncommon to most classical art forms. Focusing on aesthetics as a site of precipitation for the social, Krishna led those of us who identify as artists to ask: Are we really being creative? Or do we take creativity for granted, conditioning our minds along certain paths, and being very comfortable through all of it?

IMG_0220

(L-R) Homi Bhabha, Rajna Swaminathan, TM Krishna, Vijay Iyer

Continue reading →

Share Share on FacebookShare on Google+Tweet about this on TwitterShare on LinkedIn

Livelihood Creation Profile: Craftizen Foundation


This is part of a series in which we will profile organizations in India who received a Social Innovation grant through the SAI/Tata Trusts project on Livelihood Creation.

thumbnail_CRAFTIZEN ARTISANS IN ODISHA

Craftizen artisans in Odisha

ORGANIZATION DETAILS 

LEADERSHIP

  • Mayura Balasubramanian, Founder and CEO

VISION, MISSION AND BROAD OBJECTIVES 

Vision

To preserve and evolve Indian craft skills so they remain an integral part of our cultural fabric.

Mission

To provide business acumen support to craft groups to enable sustainable livelihoods for Indian artisans.

Broad Objectives

  • Enabling structured, long-term development support to craft groups
  • Building capacity and capability of craft-based organizations to help them scale
  • Reviving patronage of crafts through large scale, sustained interventions
  • Providing market-driven strategies to craft groups
  • Facilitating design development to enhance functionality of craft products

Continue reading →

Share Share on FacebookShare on Google+Tweet about this on TwitterShare on LinkedIn

Livelihood Creation Profile: Freeset Fabrics


This is part of a series in which we will profile organizations in India who received a Social Innovation grant through the SAI/Tata Trusts project on Livelihood Creation.

ORGANIZATION DETAILS

  • Organisation Name: Freeset Fabrics
  • Year Founded: Private Limited Company
  • Year Founded: 2014
  • Locations: Sherpur, Murshidabad, West Bengal
  • Email: design@freesetfabrics.com
  • Contact Number: +91- 7718705887

    Artisans working on ergonomically designed looms

    Artisans working on ergonomically designed looms

  • Website: http://freesetglobal.com/

LEADERSHIP

  • Kerry Hilton, Director
  • Ron Salmon, General Manager
  • Janet Rogers, Designer and Business Consultant

VISION, MISSION AND BROAD OBJECTIVES

Freeset Fabrics’ goal is livelihood creation in poor rural communities of Murshidabad, West Bengal for vulnerable women who would otherwise be at risk of trafficking into prostitution, bonded labour or migration. Their goal is excellence and quality as they compete with other commercial enterprises.

Continue reading →

Share Share on FacebookShare on Google+Tweet about this on TwitterShare on LinkedIn

SAI visiting artists’ reflections on time at Harvard


In March 2017, we welcomed our Spring semester Visiting Artists: Madhu Das (Mumbai, India) and Rabindra Shrestha (Kathmandu, Nepal). Both work in visual media; they displayed their work on campus, met with students, attended classes and gave public seminars from March 20-31. Applications are open until Monday, August 15, 2017 for the Fall program.

Madhu and Rabindra offered these reflections on their time at Harvard:

Madhu

I was able to Interact with people from different parts of the world and see how they responded to my work. This will help me to look at my work from a different perspective. I can now get a sense of India as an outsider as well as an insider. I haven’t been outside my home country and the unfamiliar landscape, weather and culture opened my mind.

Rabindra

I can’t fully express the power of the days I have spent here. People back home will be curious to see what I will do with this new exposure; it has given me fresh energy. Artists must come here with an empty mind; it’s almost like a holy place, where you have to absorb as much as you can.

 

0316 ARTISTS

Share Share on FacebookShare on Google+Tweet about this on TwitterShare on LinkedIn

Arms, armor, and weapons


rrBy Meghan Smith, Communications and Outreach Coordinator, SAI

Sometimes, to shatter the glass ceiling, you need a weapon.

Rachel Parikh has plenty at her fingertips – and she wants to use them to break more than a few glass ceilings. As the Calderwood Curatorial Fellow in South Asian Art at Harvard Art Museums, she focuses her work on manuscripts, arms, and armor – yes, weapons.

She admits that even she had her own misconceptions about studying weapons.

“You often associate arms and armor with war, violence, and masculinity,” Parikh says. “I made my own PhD dissertation all about breaking misconceptions about Islamic art and South Asian art, so it was funny that I fell into this misconception about arms and armor.”

Parikh’s dissertation at the University of Cambridge focused on a seventeenth century Deccan Indian copy of a sixteenth century Persian manuscript called the Falnama (‘Book of Omens’). After completing her Ph.D. Parikh was a Postdoctoral Fellow at New York’s Metropolitan Museum of Art, where she researched and cataloged objects for the museum’s Department of Arms and Armor.

Continue reading →

Share Share on FacebookShare on Google+Tweet about this on TwitterShare on LinkedIn